Captain America

[Slash Man]

Currently reading through the Bucky Reborn Epic Collection, which covers Cap comics from 1969-1971. I picked up this reissue because one of my reading goals was the original Stan Lee era of Captain America. It's a nice bit of consistency that this era was also largely just handled by Lee and Gene Colan; makes for a quick read when you're not having to adapt to different drawing and writing styles all the time.

This was a surprisingly great volume; I expect Stan Lee books to feel a bit dated when they're coming from the 70s, but this all felt surprisingly timeless. Of course I also forgot how solid Gene Colan's art is; he may be one of my favorite Captain America artists. His depiction of Cap is pretty much a smoother version of Kirby's design, but it's the mood and sense of emotion he portrays that sets his art apart. There's a sense of grit that comes with his heavy use of shadows and moody cityscapes at night. You don't associate it with Captain America, and that's why it feels more real.

Speaking of realness, this run deals a lot with Steve Roger's personal life; his doubts and his insecurities. Lee had always injected this sense of melancholy into Cap since his 60s revival, to his credit. This makes it all the more satisfying when Captain America triumphs in the end.

One final note is that while the art is universally good, the Joe Sinnott inked issues are standouts.

[The Laughing Fish]

I've finished reading Captain America: The Chosen, written by First Blood author David Morrill. It's another "Death of Captain America" story, set during the War in Afghanistan, where a soldier who suffers from PTSD sees visions of Cap helping and encouraging him during the conflict, from fighting off enemies to trying to rescue trapped comrades inside a cave.

The story is a sentimental, endearing tale about the spirit of Captain America living on in every American who is a hero in their own right, no matter how much they underestimate their contribution to society. Morrill does a good job at showing Corporal Newman - the soldier who Cap befriended -  overcome a frightening moment during childhood to show bravery for the first time in his life and how the horrors of war makes him yearn to be reunited with his wife and infant son.  Morrill is as effective in showing Cap's regrets throughout his memories of WWII, his loneliness, his desire to serve despite the government's hesitation following Erskine's assassination, while coming to terms with his own mortality. The lab experiment to use his artistic drawing skills to pinpoint enemy hideouts and project himself to fool terrorists basically makes him a wraith, as he fights for justice in another way once his body progressively fails him makes Cap haunting and tragic.

The art style of Mitch Breitweiser aims for realism, from war-torn Afganistan to the character design. And it suits the subject matter and tone quite well. Knowing this comic was originally sub-titled "The End", it's definitely a personal comic as opposed to the fantastical sci-fi or political thriller type of Captain America comics. I recommend it as a "What If?" conclusion for Steve Rogers.

[Slash Man]

I had no idea he also branched out to comic book writing. Good Captain America writers can explore a different facet of patriotism, so I imagine he'd have a lot to say.

[The Joker]

[Silver Nemesis]

I wasn't sure where else to post this, so I'll just leave it here.

There's some interesting foreshadowing in the use Alan Silvestri's Back to the Future score, as Silvestri would go on to compose the music for Captain America: The First Avenger and all of The Avengers movies.

I don't know what RoboCop was doing there though. He did appear in several Marvel comics between 1990 and 1992, but this parade was back in 1987.

[The Joker]

Marvel also produced a one-shot black&white magazine size movie adaptation in '87. 



No idea why a ongoing Robocop title didn't materialize soon after the one-shot given that there was a short lived Robo cartoon in the late '80's, but evidently, Orion and Marvel Comics had a good working relationship that eventually coincided the 1990 ongoing Robocop title with the release of Robocop 2.

[Kamdan]

Don't forget the rack of Marvel Comics that were in the convenience store.