Origins of Alicia Hunt

Started by Silver Nemesis, Sun, 12 Aug 2012, 13:16

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I was watching Georges Franju's Les yeux sans visage (1960) the other day and was struck by certain similarities with Batman (1989), specifically regarding the character of Alicia.

Franju's film focuses on the efforts of a French surgeon to transplant a new face onto his daughter after she loses her own in a car accident. Throughout the movie, the daughter is shown wearing a white mask with drooping melancholy eye holes and a fixed blank expression. She removes the mask several times during the film, but her skinless features are never clearly shown.



The blank white mask she wears to conceal her disfigurement is similar to the one worn by Alicia.



I checked online to see if I could find a quote from Burton or Sam Hamm acknowledging the influence of this film. And while I didn't find what I was looking for, I did stumble across this:

QuoteAlicia was based on the character of Circe (the original Black Mask's ex-girlfriend and henchgirl) He also targeted Circe and forcibly disfigured her with the chemicals in order to force her to reunite with him. Circe would ultimately kill herself, leading Black Mask to replace her with a mannequin that he talked to as if it were a real person.
http://batman.wikia.com/wiki/Alicia_Hunt

This statement isn't sourced, so it's probably just fan conjecture. But it got me thinking all the same.

The first Black Mask story arc, beginning with 'Black Mask: Losing Face' (Batman #386, August 1985), is one of my favourite Batman stories of the mid eighties. But I'd never really connected Circe with Alicia. At least not beyond the obvious visual resemblance. But upon recently revisiting that story, I found there were quite a few parallels between the two characters. So much so in fact that I'm inclined to think it was a deliberate reference.

For one thing, Circe and Alicia were both the girlfriends of murderers who later became disfigured psychotic supervillains (Roman Sionis/Jack Napier). Both women were narcissistic models, and both lived in apartments decorated with images of their own face.



Circe broke up with Roman before he became Black Mask. And I would imagine Alicia was through with Jack after Grissom found out about their affair. But in both stories the women's ex-boyfriends are transformed into disfigured maniacs (Black Mask/Joker) and return to lay claim to their former lovers. Black Mask takes revenge on Circe by intentionally disfiguring her using a poisonous cosmetic he'd previously tried to market.


We never see exactly what the Joker does to Alicia, but evidently it's a similar act of mutilation that leaves her permanently scarred. Black Mask and Joker both keep their women around as trophies, forcing them to wear blank white masks to hide their scars.


Beneath their masks, the once-beautiful women are horribly disfigured.


Both women are apparently driven insane by their ordeal and fall into submissive trance-like states. In both stories, the person who mutilated them used their features as a canvas to express their artistic vision. Roman Sionis had previously used Circe's face to exhibit his Janus cosmetics line back when he was a legitimate businessman. The Joker uses Alicia's face to illustrate his "homicidal artist" philosophy.

It's unclear what happens to Circe. I've read some articles that say she committed suicide, but I can't seem to find any evidence of this in the comics. Her final appearance was in 'Faces of Death' (Batman #458, October 1992), where she's last seen being taken away by some paramedics after she saves Batman's life. When Black Mask next shows up, he's replaced Circe with a mannequin. No explanation is ever given regarding her fate. I suspect the references to her committing suicide are likely a result of people getting her confused with Alicia.

Altogether, Circe appeared in three story arcs. The first, the one dealing with hers and Black Mask's origins, ran for three issues between August and September 1985. The Burton/Hickson script treatment for the first Batman film was dated October 21 1985. It's therefore possible Burton read these issues when researching for his script, as they would have been on sale at precisely the time he was writing it.

It's a constant source of frustration to me that we can't get concrete quotes confirming the films' connections with the source material. Has anyone heard or read anything from Burton, Hamm or Uslan that might verify these connections? I'd love to know if the movie, comic, or perhaps both, influenced the film.

Great comparisons.  Funny enough, the Circe-Alicia connection never occurred to me until now.
That awkward moment when you remember the only Batman who's never killed is George Clooney...

Very good article, Silver Nemesis. It's very refreshing and interesting to read about a lesser covered character from the movies.

Thanks, TDK. There's one more connection between those comics and the Burton films that I forgot to mention. In 'Ebon Masquery' (Batman #387, September 1985), there's a scene where Black Mask gathers up all his stuffed toys from childhood and destroys them. He does this to free himself from his past, representing the death of Roman Sionis and the birth of Black Mask.


Selina does pretty much the exact same thing in Batman Returns. The only difference is she uses the waste disposal system in her sink, while Black Mask uses fire. But earlier in Batman Returns there's the scene of the stuffed toys being immolated in the toyshop. So the image of the burning toys - a symbol of violated innocence - is still used.

It's probably just a coincidence. But it could be Burton referencing something he'd seen in the comics.

I know a more obvious cinematic influence for Alicia would be Lon Chaney's The Phantom of the Opera (1925), and Burton certainly made conscious allusions to that movie in his second Batman film. But I think the parallels between Alicia and the character of Christiane in Les yeux sans visage (1960) are more relevant. In both films it's an innocent and beautiful woman who is scarred. And in both films the mask serves as a symbol of her captivity, which in turn triggers her descent into madness.

I still can't find a quote confirming the reference. But I did find Batman (1989) listed under the 'connections' header on the IMDb page for Les yeux sans visage http://www.imdb.com/title/tt0053459/trivia?tab=mc So clearly I'm not the only person to see the similarities.

Brilliant. I think we need to get these posts uploaded in an article on the main site, and advertised on twitter/facebook. I haven't seen these connection being made before, and intentional on the film makers parts or not, I definitely see the connection thematically and find it fascinating.

Quote from: The Dark Knight on Mon, 13 Aug  2012, 13:52
Brilliant. I think we need to get these posts uploaded in an article on the main site, and advertised on twitter/facebook.

Agreed. Silver Nemesis always posts great stuff, which is both insightful and very well-written.

Thanks, TDK and Phantom  :) It's nice to know other people are as interested in this stuff as I am.