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Messages - DallyWhitty

#1
Suicide Squad (2016) / Re: Suicide Squad
Sat, 6 Aug 2016, 15:55
Did I like it? Yes. Did I love it? Nope. It's definitely the weakest of the DCEU.

If you folks had major issues with the editing and (supposed lack of) coherence in Batman v Superman, then lolhavefun because the problems are exemplified here. It's choppy. Scenes are cut short just as they're getting interesting and they try to cram in as many flashbacks as possible. It's the sort of thing that may have worked in a longer film, but in a two-hour film with so many characters, certain things get short-changed. The film's biggest problem is that there's very little chemistry between the squad themselves. We're told time and time again that these characters are essentially family, but I didn't buy it. Though Deadshot and Harley had clearly bonded (not surprising because they're the main focus).

If there's one thing I liked most about the film, it's the tone. It's a little messy, a little bipolar, but I think it worked. I have to commend the fact that despite every attempt to lighten the mood - the flashy titles, the constant blaring rock music - it still feels grungy. There's an undercurrent of dark humour throughout but fundamentally, it still feels darker than your average superhero film. It doesn't surprise me in the slightest that the BBFC rated this a 15. There's nothing especially violent or sexual about it, but there's simply something in the feel of it all which is much more fitting to a 15. I can't see how they could cut anything to achieve a 12 and I figure that's why Warners decided to go with it. Well, that and the success of Deadpool.

(I'm showing my Batman fanboy here, but I had a mahoosive grin on my face during Deadshot's introduction when Batman glided into frame. It was like something out of the comics/Animated Series. I also grinned when they showed Harley wearing her traditional outfit).

Other tidbits: Will Smith is shockingly tolerable, the Joker/Harley relationship is as underdeveloped as I feared it would be, Cara Delevingne's wibbly-wobbly Enchantress was like something out of a Schumacher Batflick (and I mean that in a good way), Killer Croc's 'I'm beautiful' line made me laugh, El Diablo was a chav and the film's attempts to make him sympathetic flopped, the soundtrack was good, Amanda Waller is my spirit animal.

I'd probably give it a seven out of ten. As I said, I did like it, but I can very much understand why it's had such negative reviews. This isn't a Batman v Superman situation where I'm like this-film-is-a-masterpiece-and-why-are-people-hating-on-it-you-jokers-must-be-crazy. It's flawed for sure. Hell, it's like the RoboCop 2 of superhero films. There's an abundance of interesting ideas, none of which are really developed to their potential, but it's kinda dark and mean-inspirited and entertaining enough that I enjoyed it for what it was.

Oh, and they gave me a free poster. And the screening was packed! A couple of chicks had even tried to imitate Harley's hair.
#2
The Ultimate Cut leaked a while back and the additional scenes surfaced on YouTube. I think they've since been taken down. I saw them while they were online and, although I'd need to see them in context to really appreciate them, it says to safe that they flesh things out more. The consensus among those who've seen the Ultimate Cut is that this is the superior version of the film. I loved the theatrical cut regardless but the editing was a little wonky in the first half and you could tell things had been trimmed down.

Anyway, I cannot wait for the Blu-ray to be released. The UK gets it a couple of weeks later than the US!
#3
I'll just re-post what I posted on another site:

Pretty much everybody is praising Affleck and Gadot and I think they're spot-on. Both nailed it. Keaton remains my favourite of the live-action Batmen but Affleck is easily a close second. I'm a lifelong Batman fan but it must be said that I've never had an issue with the character committing murder. If anything, the darker the better so I got a kick out of how brutal and unrelenting he was in this film. It's been a long time since we've seen a Batman on screen so full of rage.

The one casting choice that seems to have everybody split is Eisenberg as Lex Luthor. I loved him but then I do have a shameless knack for hammy, over-the-top performances. He was certainly menacing when he needed to be, though. His interactions with Holly Hunter were fantastic and the tension between his character and her's was one of my favourite aspects of the film. I was disappointed when Senator Finch was killed off halfway through.

Pacing-wise, I do think there were aspects of the film that could've expanded on better, whereas there were others that could've been omitted altogether. I kept getting the impression that they were trying to justify Lois Lane's presence in the film and although I like Amy Adams and the character, I reckon they could've written a stronger sub-plot around her. All things considered, though, they had a lot to get through in the film and I thought they did a decent job of juggling everything.

I've gotta say, I loved the Knightmare sequence and the one that directly follows. It was so left-field and bizarre that I couldn't help but love it. Remember the scene in Fire Walk With Me where Laura wakes to find Annie in bed with her? And Annie's delivering a cryptic message? That's what it reminded me of. It's something only those who'd seen the TV series could even begin to understand and the same could be said for the Knightmare sequence except in relation to diehard DC readers. I'm willing to bet that the majority of the audience were perplexed whilst watching it.

I've seen comparisons to AlienĀ³ and David Lynch's Dune and other films of that ilk and I think the comparison is spot on. They're all films that I'd regard as flawed masterpieces. I may recognise the issues the films have but when everything else about them is so, so good, it's easy enough to overlook the flaws. Dawn of Justice is another of those films for me. I just fell in love with the drama and the scope of it all. Too many superhero films now are so safe and by-the-numbers. This one had more ambition. The execution may not have been perfect but the tone was right up my alley and I'm really excited to see what else the DC Extended Universe will bring.
#4
Batman (1989) / Re: 25th anniversary releases
Fri, 7 Nov 2014, 10:37
Quote from: Paul (ral) on Fri,  7 Nov  2014, 10:32
Did you get it from Zavvi?
Yep! This is the Zavvi-exclusive UK release. I'm assuming it'll be the same worldwide.
#5
Batman (1989) / Re: 25th anniversary releases
Fri, 7 Nov 2014, 10:29
My copy arrived about ten minutes ago and I've just popped Disc 2 in to clear the confusion surrounding what exactly it contains. It's just The Birth of the Modern Blockbuster and nothing else, unfortunately, and it runs for twenty-four minutes. I don't know what happened to the other two extras we were supposedly getting (Batman Reunited and The Making of a Hero).
#6
Batman (1989) / Re: 25th anniversary releases
Thu, 25 Sep 2014, 14:22
Looks like us UK folk are getting the 25th Anniversary Edition as a Zavvi exclusive. Disc 2 includes Batman Reunited and The Making of a Hero (the latter is presumably the 1989 TV documentary which is available online but has otherwise not been released on DVD).
#7
Wow, that scene with the Batmobile and Elfman's 'Childhood Remembered' is brilliant! To echo the thoughts of users above me, that would've made for a terrific teaser trailer.

Thanks so much for sharing!
#8
As much as I love the first film, Batman Returns is my favourite. Such an underrated masterpiece with substance and entertainment value in equal measure, delicious black comedy, brilliant performances, memorable dialogue, stunning visuals and a beautiful score. It's a really ballsy and ambitious film, unlike any other comic book adaptation I've seen. Critic Ty Burr was right to say that it was probably the first blockbuster art film.
#9
I'd love something similar to what Warner have done with their anniversary editions of Gone with the Wind, Casablanca and other similar titles: a massive collector's edition with all sorts of bits and bobs. They could have a coffee table-style booklet, prop replicas, the soundtrack/both soundtracks (Elfman and Prince), a reproduction of the original poster... the possibilities are endless.

I put together this:

#10
I find Kevin Smith really obnoxious, but the masochist within me wants to watch this.